The Order of White at Changdeokgung's Huijeongdang 창덕궁 희정당에서 만난 '백(白)의 질서' 昌徳宮・煕政堂で出会った「白の秩序」 在昌德宫熙政堂遇见"白的秩序" "Trật tự của sắc trắng" tại điện Huijeongdang, cung Changdeokgung "ระเบียบแห่งสีขาว" ณ ตำหนักฮีจองดัง พระราชวังชังด็อกกุง
Huijeongdang, Changdeokgung Palace, Jongno-gu, Seoul 서울특별시 종로구 창덕궁 희정당 ソウル特別市 鍾路区 昌徳宮 煕政堂 首尔特别市 钟路区 昌德宫 熙政堂 Điện Huijeongdang, cung Changdeokgung, Jongno-gu, Seoul ตำหนักฮีจองดัง พระราชวังชังด็อกกุง เขตจงโน โซล
On October 11, 2026, the last day of the Autumn Royal Culture Festival, Huijeongdang at Changdeokgung Palace hosted the craft exhibition "Joseon Spatial Aesthetics: The Order of White" (조선 공간 미학: 백(白)의 질서), directed by Baek Jong-hwan of the space studio WGNB. About 50 works by more than 30 national intangible heritage artisans and contemporary artists filled the hall, lit only by window light and the building's own chandeliers. Among them were a moon jar by Kwon Dae-sup, an installation of points and lines by Oh Jong, and court flower art (gungjung chaehwa) by Choi Sung-woo. Huijeongdang served as the king's office and a hall for receiving guests. After a fire in 1917 it was rebuilt in 1920 with materials from Gangnyeongjeon at Gyeongbokgung, and its interior took on Western touches, which is why a tiled wooden hall holds upholstered chairs and chandeliers. The hall is usually closed to visitors, so the five-day exhibition offered a rare look inside. 2026년 10월 11일, 가을 궁중문화축전 마지막 날 창덕궁 희정당에서는 공예 전시 '조선 공간 미학: 백(白)의 질서'가 열렸습니다. 공간 스튜디오 WGNB의 백종환 대표가 감독을 맡았습니다. 국가무형유산 보유자·전수자와 현대 작가 30여 명이 만든 작품 50여 점이 희정당 곳곳에 놓였고, 조명은 창으로 드는 자연광과 건물의 샹들리에만 썼습니다. 권대섭 작가의 달항아리, 점과 선으로 공간을 세운 오종 작가의 설치 작품, 최성우 보유자의 궁중채화가 함께 전시되었습니다. 희정당은 임금의 집무실이자 손님을 맞던 곳입니다. 1917년 화재로 불탄 뒤 1920년 경복궁 강녕전의 부재를 옮겨 다시 지었고, 실내에 서양식 요소가 들어왔습니다. 기와를 얹은 목조 전각 안에 천을 씌운 의자와 샹들리에가 있는 까닭입니다. 평소에는 내부 관람이 제한되는 곳이라, 닷새 동안의 전시는 안을 들여다볼 드문 기회였습니다. 2026年10月11日、秋の宮中文化祝典の最終日、昌徳宮の煕政堂(ヒジョンダン)では工芸展「朝鮮空間美学:白の秩序」(조선 공간 미학: 백(白)의 질서)が開かれていました。監督は空間スタジオWGNBの代表、ペク・ジョンファン氏です。国家無形遺産の保有者・伝授者と現代作家30人余りによる約50点の作品が殿内に置かれ、照明は窓からの自然光と建物のシャンデリアだけでした。クォン・デソプ氏の月壺、点と線で空間を組み立てたオ・ジョン氏のインスタレーション、チェ・ソンウ氏の宮中彩花などが並びました。煕政堂は王の執務室であり、客を迎える場でもありました。1917年の火災で焼失したのち、1920年に景福宮・康寧殿の部材を移して再建され、室内に西洋風の要素が取り入れられました。瓦屋根の木造殿閣の中に布張りの椅子とシャンデリアがあるのはそのためです。普段は内部の観覧が制限されているため、5日間の展示は中を見られる貴重な機会でした。 2026年10月11日,秋季宫中文化庆典的最后一天,昌德宫熙政堂举办了工艺展"朝鲜空间美学:白的秩序"(조선 공간 미학: 백(白)의 질서),由空间工作室WGNB代表白钟焕担任总监。国家非物质遗产传承人、传习者与当代艺术家共30余人的约50件作品陈列于堂内,照明只用窗外自然光和建筑原有的吊灯。展品包括权大燮的月亮罐、吴宗以点与线构筑空间的装置作品,以及崔成宇的宫中彩花等。熙政堂曾是国王的办公处和接待宾客的场所。1917年毁于火灾后,1920年移用景福宫康宁殿的构件重建,室内也加入了西式元素,因此瓦顶木构殿堂里摆着布面座椅和水晶吊灯。这里平时限制入内参观,为期五天的展览提供了难得的入内机会。 Ngày 11/10/2026, ngày cuối của Lễ hội Văn hóa Cung đình mùa thu, điện Huijeongdang trong cung Changdeokgung tổ chức triển lãm thủ công "Mỹ học không gian Joseon: Trật tự của sắc trắng" (조선 공간 미학: 백(白)의 질서), do Baek Jong-hwan, giám đốc studio không gian WGNB, làm đạo diễn. Khoảng 50 tác phẩm của hơn 30 nghệ nhân di sản phi vật thể quốc gia và nghệ sĩ đương đại được bày khắp điện, chỉ chiếu sáng bằng ánh sáng tự nhiên qua cửa sổ và đèn chùm sẵn có của tòa nhà. Trong đó có chiếc bình trăng của Kwon Dae-sup, tác phẩm sắp đặt dựng không gian bằng điểm và đường của Oh Jong, và hoa lụa cung đình (gungjung chaehwa) của Choi Sung-woo. Huijeongdang từng là nơi nhà vua làm việc và tiếp khách. Sau trận hỏa hoạn năm 1917, điện được xây lại năm 1920 bằng vật liệu từ điện Gangnyeongjeon của cung Gyeongbokgung, và nội thất mang thêm nét phương Tây. Vì thế trong một tòa nhà gỗ mái ngói lại có ghế bọc nệm và đèn chùm. Bình thường bên trong điện hạn chế khách tham quan, nên năm ngày triển lãm là dịp hiếm hoi để nhìn vào bên trong. วันที่ 11 ตุลาคม 2026 ซึ่งเป็นวันสุดท้ายของเทศกาลวัฒนธรรมราชสำนักฤดูใบไม้ร่วง ตำหนักฮีจองดังในพระราชวังชังด็อกกุงจัดนิทรรศการงานหัตถศิลป์ "สุนทรียศาสตร์แห่งพื้นที่โชซอน: ระเบียบแห่งสีขาว" (조선 공간 미학: 백(白)의 질서) โดยมีแบ็กจงฮวาน ผู้บริหารสตูดิโอออกแบบพื้นที่ WGNB เป็นผู้กำกับนิทรรศการ ผลงานราว 50 ชิ้นจากช่างผู้สืบทอดมรดกภูมิปัญญาแห่งชาติและศิลปินร่วมสมัยกว่า 30 คนถูกจัดวางทั่วตำหนัก โดยใช้เพียงแสงธรรมชาติจากหน้าต่างและโคมระย้าของตัวอาคาร ผลงานที่จัดแสดงมีทั้งโถพระจันทร์ของควอนแดซบ งานจัดวางที่สร้างพื้นที่ด้วยจุดและเส้นของโอจง และดอกไม้ประดิษฐ์ราชสำนัก (กุงจุงแชฮวา) ของชเวซองอู ตำหนักฮีจองดังเคยเป็นที่ทรงงานของกษัตริย์และที่รับรองแขก หลังถูกไฟไหม้ในปี 1917 ได้สร้างขึ้นใหม่ในปี 1920 โดยนำวัสดุจากตำหนักคังนยองจอนในพระราชวังคย็องบกกุงมาใช้ และตกแต่งภายในด้วยองค์ประกอบแบบตะวันตก ภายในอาคารไม้มุงกระเบื้องจึงมีเก้าอี้บุผ้าและโคมระย้า ปกติภายในตำหนักจำกัดการเข้าชม นิทรรศการห้าวันนี้จึงเป็นโอกาสที่หาได้ยากในการชมด้านใน
- Date날짜日付日期Ngàyวันที่
- 2026-10-11
- Camera카메라カメラ相机Máy ảnhกล้อง
- Leica M11
- Lens렌즈レンズ镜头Ống kínhเลนส์
- LLL 35mm (8 elements, 6 groups)
- Settings설정設定参数Thông sốการตั้งค่า
- 1/90–1/1000s · ISO 64–800